Friday, November 5 | 5pm - 7pm *New date*
Donation of $22-$44 (sliding scale)

The Akashic Records is a beautiful healing modality that allows us to receive soul wisdom from our Higher Selves anytime, anywhere. Popularized by Edgar Cayce, Akashic Records are often described as a cosmic library of energy of all things past, present, and future. We all have the ability to access the Akashic Records and our own personal “Book of Light”. In this workshop, we’ll dive deep into what the Akashic Records are and some simple methods for how to enter and utilize them. We’ll also practice accessing the Records together via a relaxing and transformational Akashic meditation. Bring your most pressing questions, as we’ll be opening the Records for all attendees.

Bio: Sarah Bisceglie is a heart-centered healer, spiritual teacher, ascension guide, and artist based in Taos, NM. She offers energy healing sessions, channeled Akashic Records readings, crystal healing, space/land healing, and animal communication. She has been teaching Reiki for 6 years and also offers Akashic Records training. She has performed hundreds of soul readings through the Akashic Records.

Sarah’s work is inspired by nature and the Great Mother. She is a gifted channeler of messages from the Earth, spirit guides, and celestial realms. All of Sarah’s work is centered in an open heart and the highest good of all.

www.sarahbisceglie.com

Instagram: @sarahbisceglie

Saturday April 28th 3-5pm, $25 sliding scale

We will start at the beginning and learn two traditional rhythms. These drum classes are somewhat self-leveling in terms of student experience level. Beginners will get to learn the basics and more experienced players will learn the nuances of the rhythm. A few djembes will be available for rent. First come first server. What we will learn:

Tradition West African Beats
Playing tips
Woman friendly (No egos here)
Fun and supportive
Beginners welcome
Recorded for practicing

Chris has been a drummer since the age of eight. Around twenty years ago, he was intrigued by the Djembe as an instrument and upon discovering the music it supported, came an "Aha!" about rhythm. What followed became a deep learning experience of West African rhythm, along with following the influences it has had on western music. He has traveled to Guinea, West Africa to learn from the source, and has studied with many masters both African and American. His teachers have been Mamady Keita (Conakry,) Famadou Konate' (Conakry,) Fadouba Oulare (Faranah,) Ryan Edwards (Boston,) Michael Taylor (Chicago,) Michael Markus (New York,) and Bruce Langhorn (Los Angeles,) among others.

Chris also plays guitar, congas, and anything that makes a sound. African music runs in his blood even while playing slack-key guitar. He often says that the influence of African music in his his own life and music style is like the egg in a cake. You can't separate them anymore.

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